Hymnal project

"SING THE WONDERS": A New Hymnal Project


Now available!

The hymnal is now available to order. For more info and for secure checkout, click on the button to be taken to the product page.

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Project overview

Grace Immanuel Bible Church is pleased to announce our own hymnal, which we've called "Sing the Wonders." The hymnal includes old and new songs by authors such as Isaac Watts, Martin Luther, Charles Wesley, John Newton, Keith Getty, Stuart Townend, and Bob Kauflin.

The phrase "sing the wonders" is an excerpt of a poem in "The Gospel Standard," 1853, ascribed to "T.W." Here's the whole stanza of the poem (which runs for some 8 or 9 pages):

Pause, my soul, adore and sing the wonders of Immanuel;
Of Christ, the Sacrifice for sin; surpassing mortal tongues to tell
The heights and depths of love and blood,
That ransomed all the sons of God.

Common Questions


How many songs does it include?

The hymnal has 255 hymns and psalm settings. You can view the list here:

Final Song List

Several folks have asked about the differences in song choices between this hymnal and the excellent Hymns of Grace, recently published by Grace Community Church. You can see a comparative list here:

Comparison Chart

How much does it cost?

We're selling the hymnals for $7 a copy, plus shipping. That price reflects the cost of printing, and royalties for copyrighted songs.

How is it printed?

The hymnal is professionally printed and bound. It looks and feels like any other hymnal and is built to last.

How are the songs organized?

Songs are arranged into 15 topics:

Adoration and Praise
Confidence and Comfort
Christ’s Incarnation
Gospel Grace
Christ’s Resurrection
Christ's Ascension
Christ’s Second Coming
Commitment and Consecration
The Church
God’s Word
The Holy Spirit

What's the format of the part-writing?

Here are some samples:

Samples pages

The hymns are set in several different formats. Those that fit traditional voice leading are arranged in a conventional four-part hymn style, but many are arranged in a flexible format that alternates between unison, two, three, and four parts.

This hymnal is intended to be for singers, not instrumentalists. Most current hymnals set all songs in a four-part style, but this often a poor fit for many contemporary songs: the resultant four-part style doesn't really work well for either the singers or the instrumentalists. The hymns in this hymnal are part-written exactly as our church would sing them. While many traditional hymns are arranged in a format that works for both voices and keyboard to use, many modern ones are not. Often the voices function differently than the instrumental accompaniment.

This means that while many songs in this hymnal are written to reflect all the representative harmonies, others are not.

Will there be an instrumental edition available?

We're planning to add a chord chart version and a full-size copy of the hymnal pages with chord symbols above the staff. These will be available for purchase as PDF only.

Is there a digital edition available?

Yes, there's a PDF version of the hymnal available in the Grace Music store. You can download all non-royalty songs as a ZIP file for free here:

free hymns

How was the hymnal typeset?

All typesetting was done in-house using Finale.

A number of people have asked about the process of typesetting, and using the template themselves. If you're interested in music engraving want to read about the specifications of the template (and download the file), you can visit the typesetting page:


Are there any indices?

Yes, there are indices for title, composer/author, tune name, Scripture passages, and psalm settings.

Philosophy behind the project

We love hymns. You can read more about that hereWhen we meet together as a church family, we sing hymns – lots of them. Some are old, some are new, but all are filled with truths about the glory of God in the gospel of Jesus Christ. And because we feel the urgency of corporate worship and the brevity of our time here on earth, we’re careful to avoid lyrics that are superficial.

Our church has sung from projection for more than a decade. The benefits of projection are obvious: people’s heads are up, the words are clear and readable, the medium is flexible, and the message of the lyrics is emphasized. It’s for all these reasons that we’re going to continue to use projection as a valuable tool in the corporate praise of the church.

But what projection lacks is any sense of permanence. Of course it’s true that every generation produces music that won’t last. That’s not something we should lament, nor avoid at all costs. Songs that come and go are a reminder that, while culture and creative expressions are perpetually changing, Christ’s plans for His church will never fade away. And yet the church should seek out, as much as possible, those musical expressions of adoration and doctrine that are enduring. When we mingle new songs with ancient ones, we’re recognizing that our local church is just a small notch in the history of God’s people. We acknowledge that every saint of old who penned these lofty texts was someone “with a nature like ours” (James 5:17), prone to weakness and needing to be strengthened in their faith. There’s no substitute for hymn lyrics that have worn well, like these from a paraphrase of Psalm 23:

Perverse and foolish, oft I strayed,
but yet in love he sought me;
and on his shoulder gently laid,
and home, rejoicing, brought me!

Henry Baker

Although projection is a helpful vehicle for prompting song lyrics in real-time, it’s fleeting. The words flash on the screen, and then they’re gone. Projection alone can’t aid in the process of settling these texts deep into our hearts, letting them take root until they become a familiar language of daily worship. The spread of recorded music has helped immensely, of course, and its expansion into the digital age has made it easier than ever for us to commit songs to heart through repeated listening.

But print media is also a valuable tool. When e-books first enjoyed their meteoric ascent, the internet prophets predicted that printed books would diminish to a niche market. And yet, five years later, e-book sales have come to a grinding halt… while print sales are once again on the rise. It’s a reminder that, while technology is constantly changing and passing on, some things are built to last. And it’s precisely this feeling of permanence that a hymnal captures so well. It allows you to hold in your hand a collection of several hundred songs, spanning centuries, that give voice to our deepest beliefs and feelings: who God is, what He has done through Christ, and how we respond to Him in faith and obedience. As a devotional supplement, a solid hymnal is second to none.

A hymnal is a massive undertaking. Even though a local church can avoid the encumbrances of committees and marketing groups in such a project, the investment of time and resources is real. But that’s precisely what this is: an investment. The expected return is that these songs our church sings and loves will be more deeply written on the hearts of our people – and passed down to the next generation. For those young children growing up in our church, “In Christ Alone” will be to them what “The Old Rugged Cross” was to their grandparents. But this can only happen if our churches make it happen. We’re surrounded by a culture in which everything is meant to be consumed and disposed of. It’s profoundly counter-cultural to cherish things that are meant to be preserved and handed down.


It’s our desire in this hymnal project that the church of Christ would be built up, sound doctrine would be proclaimed through hymns, and God would be glorified!

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