Introduction to Music Theory

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Chapter 1: Pitch

1.1 – Notes on the staff
1.2 – The treble clef and supplemental worksheet
1.3 – The bass clef and supplemental worksheet
1.4 – Staff systems
1.5 – Octave registers
1.6 – Notes on the keyboard (part 1) (part 2) (part 3)
1.7 – Accidentals
1.8 – Review and Exam 1
1.9 – Appendix 1: Alto and tenor clefs

Chapter 2: Rhythm and meter

2.1 – Introduction to rhythm
2.2 – Pulse, meter, and measures
2.3 – Common time
2.4 – 8th notes and 16th notes
2.5 – Dotted rhythms
2.6 – Ties
2.7 – Rests
2.8 – Dynamics
2.9 – Articulations
2.10 – 2/4 and 3/4 meter
2.11 – Different beat units
2.12 – 6/8 meter
2.13 – More compound meters
2.14 – Review and Exam 2
2.15 – Appendix 2: Asymmetrical meters

Chapter 3: Scales and keys

3.1 – The C major scale
3.2 – Other major scales
3.3 – Diatonic functions of the scale
3.4 – The circle of 5ths
3.5 – Major key signatures
3.6 – The natural minor scale
3.7 – Harmonic and melodic minor scales
3.8 – Major or minor?
3.9 – Modes
3.10 – Review and Exam 3

Chapter 4: Intervals

4.1 – Basic intervals
4.2 – Seconds and thirds (Part 1, Part 2)
4.3 – Perfect intervals and inversions
4.4 – 6ths, 7ths, and all inversions
4.5 – Intervals in the major scale
4.6 – Intervals in the minor scale
4.7 – Review and Exam 4
4.8 – Appendix 3: Frequency and consonance

Chapter 5: Chords

5.1 – Triads
5.2 – Triad alterations
5.3 – Triads in a key context
5.4 – Inversions and doubling
5.5 – 7th chords in the major key
5.6 – 7th chords in the minor key
5.7 – 7th chord inversions
5.8 – Analyzing arpeggios and doubled notes
5.9 – Non-chord tones
5.10 – Split-bass chords
5.11 – Review and Exam 5
5.12 – Appendix 4: Introduction to jazz chords

Chapter 6: Chord paradigms and song structure

6.1 – From chords to context
6.2 – Keyboard style and part-writing
6.3 – The tonic-dominant relationship
6.4 – The cadential 6/4
6.5 – The pre-dominant
6.6 – Tonic expansion
6.7 – Cadences
6.8 – Introduction to structure
6.9 – Song structure in contemporary music
6.10 – Review and Exam 6